|R. Lullus: Ars magna|
CLARENCE BARLOW'S TECHNIQUE OF ‘SYNTHRUMENTATION’ AND ITS USE IN IM JANUAR AM NIL
Tempo/Volume 69/Issue 271/January 2015, pp 7-23
@ Cambridge University Press
Music and Time-consciousness
A phenomenological approach to the intercultural dimension of time experience
In different times and different cultures different concepts and underlying notions of time in music have existed. The aim of this paper is to propose some conceptual tools derived from a phenomenological approach to music in order to understand and describe musical temporality.