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 R. Lullus: Ars magna 



CLARENCE BARLOW'S TECHNIQUE OF ‘SYNTHRUMENTATION’ AND ITS USE IN IM JANUAR AM NIL

Tempo/Volume 69/Issue 271/January 2015, pp 7-23
@ Cambridge University Press




Music and Time-consciousness
A phenomenological approach to the intercultural dimension of time experience

In different times and different cultures different concepts and underlying notions of time in music have existed. The aim of this paper is to propose some conceptual tools derived from a phenomenolo­gical approach to music in order to understand and describe musical temporality.